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Bild am Sonntag, the mass-market German Sunday paper with the highest circulation have just published an extraordinary story in which a former M.I.6 agent claims the agency plotted in 1992 to murder the former Serbian leader Slobodan Milosevic using a strobe-light cannon. The former agent, Richard Tomlinson, says he saw the Diana file while at M.I.6 and it was marked with an annotation that said “The Milosevic Plan”. Tomlinson claims that M.I.6 colluded with the French authorities to murder Diana. He has just given the name of the M.I.6 officer that marked the file to the Stevens enquiry that is looking into the deaths in the Alma tunnel.
Bild claims that Lord Stevens accidentally let it slip last week that there are new witnesses and forensic evidence in the case. You might remember that there were two witnesses that heard an explosion on the night. Neither of the witnesses was allowed to present their evidence at the French enquiry into the deaths. And one witness was arrested and held in jail and threatened, until he promised to go quietly on his way. Instead, he hired a lawyer and demands to be heard but he was refused. The official French enquiry into the Diana’s death is claimed to be very bent.
I saw another Diana vision recently it was a plinth made of marble that suddenly rose from a pond. On the plinth was a massive statue of the letter V, like the poster of the film, V for Vendetta. In that movie by the Wachowski brothers, a vigilante called just “V”, blows up the Houses of Parliament. When I saw the pond in the vision I knew I had seen it before, and a while later I realized it is the pond around the little island that Diana is buried on at her brother’s estate.
Diana knew there was a plot to kill her and she said so in a letter to her butler that came out some time ago. She referred to herself as ‘a lamb to slaughter.’ The two problems were that she ran a campaign against land mines, which irritated the authorities, and she was also seen to be in the way of Charles marrying his mistress, now his wife, Camilla Parker-Bowls.
The single biggest story I saw in the Morph that first appeared in 2001 where visions and videos that described Diana’s death in detail. One video that appeared mysteriously out of the Morph only lasted ten or fifteen seconds, but played over and over for four hours - continuous replay. The video I saw was set in the green color of night vision glasses. It showed the car coming down the tunnel and then there was an explosion under the wheel on the driver’s side. The car went out of control hitting a pillar and spinning around. I don’t know how that gels with Tomlinson’s evidence but my feeling is Diana came to take down the House of Windsor. I believe she knew it before she was born.
I don’t think anyone will blow up the House of Parliament but the ‘V pond vision’ was a way of saying that Diana will burn the system by exposing it. I have seen many visions of Britain as a police state with Brown Shirts on street corners rounding people up. Polls suggests that almost 80% of Brits believe Diana was murdered, if it is proven to be true there might be great anger and unrest, especially if it comes at the same time as the collapse of the property market. I said a couple of years ago that I felt the market is unstable and I saw a vision recently that indicted a time in the future when refinancing rates in Britain would hit 37%. Obviously there would have to be a run on the pound for rates to reach those levels.
It all seems to be building toward a fascist lock-down of the country. It’s sad, but what can we do other than to flee? It is not spiritual to go to war and fight the system one has to offer love and a pacifist’s compassion no matter how evil people become. That was the lesson Gandhi came to teach us. And anyway, the system will eat itself given enough time. It may be a long lunch but one has to be patient because nature works at a very much slower pace than we do.
Here below are the eleven Diana visions that I posted some years ago. You might find them interesting.
© Stuart Wilde 2006
www.stuartwilde.com
Princess Diana: Eleven
Visions
Stuart Wilde
December 28th, 2002
The Diana visions first appeared as short video clips in the morph over
a year ago. I didn't post them here at the time as the Diana story
seemed a long way off and the visions came in bit by bit over months,
not in a linear consecutive order. Then in November this year I saw a
vision of Diana striding up to a group of men; she said forcefully to
one of them, "Come on Yves, let's go." So, I reckoned the Diana story
must be getting closer to popping out of the box.
Here I've rearranged the eleven Diana visions that I have seen
chronologically, so they are easier to follow. And I've added a few
comments as I go along, as well as my summary at the end as per usual.
The Driver
The first Diana related vision I saw came in July 2001 as mini-video in
the morph. It was of Dodi's driver Henri Paul talking to a group of men.
He was not at the Ritz hotel but at some other location, an office
somewhere in France. All the men were standing approximately in a
circle; Mr. Paul was leaning in slightly, listening intently. He seemed
to be receiving instructions and at the end of the short ten-second
clip, he nodded and bowed slightly, and he shook one man's hand.
(We think this is the morph's record of how the caper was set up. There
is an audio track to this clip but I didn't get to hear it or what was
being said).
The Money
In the next morph clip, I'm watching a scene at night. I see the car
that was involved in the crash, reflected off the hood of the car is
light from a street lamp. A man comes up and starts to place piles of
cash on the hood. It is 120,000 French francs, about $US 20,000.
(We reckon this was the down payment of Henri Paul's pay off, but he was
tricked. He thought he was being paid to take Dodi and Diana someplace.
He wasn't told the full plan).
The Rear-Door Mechanic
In another morph video some weeks later, I watch as a car mechanic
kneels down on the ground next to the rear door of the car on the
driver's side. He is fiddling with something just inside the door close
to the floor.
(Neither Dodi nor Diana wore seat belts–maybe the rear passenger seat
belts were rendered inoperable).
The Other Two Mechanics
Next, I'm watching another vision in the form of a video in which the
car is jacked up on the driver's side about eighteen inches off the
ground, and two mechanics are working under the car in the area between
the driver's door and the left front wheel. These characters feel
military and very spooky. I watch them from behind for about thirty
seconds before the morph video clicks off.
The Ritz
The next one is the scene at the back door of the Ritz in Paris, where
Diana had dinner with Dodi on the fateful night. She exits from the back
door of the hotel looking tired, ready to go, and she looks up and down
the road as if she's waiting for a car to arrive. There is nothing there
so she reenters the hotel, and I watch her in the hallway talking to
people in an animated way, waving her arms about. She then waits by the
door alone until other people join her and they all walk out together.
(We reckon the regular car and driver was diverted in some way, and
Henri Paul took its place at the last minute as a planned substitution).
The Alma Tunnel Vision
It's nighttime, the car carrying Dodi and Diana is approaching the Alma
tunnel, it doesn't seem to be going particularly fast, guessing I'd say
50 miles an hour. It's hard to tell the speed of a car as it passes you
but it wasn't doing a hundred miles an hour as the official story goes.
The car goes down the tunnel and then there's a small explosion and a
cloud of smoke bursts out from under the car in the area of the front
wheel, and under the driver's door. The driver loses control and the car
whacks one of the concrete pillars in the center of the tunnel and comes
to a stop.
This video sequence is 8-10 seconds long from start to finish. But
unlike the other short clips mentioned above that, each played just
once, this one played over and over. I watched each viewing of it
through to its completion and then there would be a slight pause, and it
would play over again. I can't remember how many times the Alma tunnel
scene played but I'd say ten or more times. Twice the film clip went
through a replay in slow motion as if it was saying did you see all of
that?
(The news footage of the car when it crashed showed it had a dented roof
and a busted up front wing and fender. Yet when the car was finally
shipped out of the tunnel many hours later on a flatbed truck, the
entire front of the car was missing and there were hardly any two bits
of it still glued together. Someone did a demolition job on the car
removing almost the entire front section).
The Parked Car
In a new morph video sequence that I saw in October, I'm watching from
near the Alma tunnel and I see a man getting out of a parked car, which
is either on the main drag by the river, or it is in a side street; I
can't exactly tell. He's got a bag in his hand like the kind doctors
carried in the past. He puts the bag on the front of the car and
rummages through it. He then pulls out a small box that is about eight
inches long and three inches wide, and one and a half inches high. It
reminded me of a pencil case, the kind kids take to school. The man
looks extremely spooky. He then turns towards the morph camera's point
of view (POV), and he shows the small box holding it out in his hand in
full view. This shot of him showing the box lasts for a few seconds and
then the morph video clicks off.
The Syringe
A few days after the parked car vision, I see the spooky guy once more.
This time he is in the Alma tunnel, standing behind the damaged car.
He's got the box in his hand once more, I now see that it is gray and it
has rounded corners, I get the feeling the box is made of metal. This
guy feels smarmy and cruel like you wouldn't believe. He holds out the
box towards my POV, and opens it slowly. I can see a piece of white
medical gauze covering the contents of the box. He then reaches in with
his thumb and forefinger and slowly pulls back the gauze, under it is
hidden a loaded syringe. I couldn't tell what was in the syringe; -
there was no labeling or marking on it, or on the box. It looked like
clear liquid, but it felt deadly. The man smiled the creepiest smile
I've ever seen.
'Click', the morph video goes to dark. I'm thinking about what I have
just seen and suddenly the video clicks on again and I watch an exact
replay of the same sequence. This time I look very carefully at the
syringe but I still can't tell what it's loaded with even though I am
looking at it from inches away, right in close-up.
This time I get the impression, the man is not French. I don’t know how
I know that. I feel the occupants of the car are in extreme danger.
(We don’t know if the spook with the syringe is the American doctor that
was first on the scene or not).
The Cat and the Camera
Weeks, maybe a month passes, and now I see a new morph video of a cat in
the Alma tunnel. It's on its hind legs taking pictures with a camera.
The shots are going off very fast one after the next, accompanied by a
flash each time.
(We see the cat in the morph all the time; it’s the symbol of the grace
and stealth of the Forces of Light. On the night of the crash, the
French authorities turned off all the surveillance cameras in that area
of Paris. I got the impression that the appearance of Puss Puss in the
vision is the morph's way of saying not all the cameras were off; there
is at least one record of the explosion and what actually happened.
Perhaps one of the paparazzi that followed the car to the tunnel got
away with his pictures).
Ooh la la what a cock-up. Meow.
The Phone Call
In a new vision, I'm watching a phone in a hallway; I am almost sure
it's in France. The phone rings and someone I can't see answers saying,
"'Hallo". They are real nervous and tentative and they speak with a
French accent.
(We reckon that this is a missing witness that saw the crash and/or they
have crucial evidence of a conspiracy. They may have been scared to come
forward in the past but now that will change and they will talk to the
press, in spite of the risk).
The Nerd in the Strange Hat
Now here's one more vision. It's very strange. I saw it on November 17th
this year, sixteen months after the first one that was the Herni Paul
one listed above. I'm watching in the tunnel once more as if through the
lens of a TV camera. It is night. There's a nerd in the tunnel. He is
very skinny and has a long face and a pointed chin. He's only about five
foot two to five foot four inches tall. I can't work out his age but
he's well over thirty and less than fifty. He is wearing an
unfashionable, clunky sports jacket with ordinary dark trousers and a
strange hat. It's not a constructed hat like an English bowler hat or an
American Stetson. It is floppy and made of cloth, and while it is almost
flat, it has a bit of a circular, pork-pie shape to it.
The scrawny man looks nervously up the Alma tunnel to his left, and then
he looks the other way to his right. He's real jumpy and anxious, like
he doesn't quite know what to do. He's afraid of something–getting
caught perhaps? Then I hear him call out in quite a loud voice, one
single word in a French sounding voice, "Vallon". It seems like he is
calling to an accomplice for help.
(I don’t know what vallon means in French. I think it's a person's name.
But my feeling is that if Vallon is a person, he or she is linked with
the creep in the tunnel on the dark side of things).
Comments:
So there you have it, that is what I have seen so far.
Dodi's father says his son and Princess Diana were murdered by the
British Secret Service, and if that is so, it would seem to me the
French must have been involved. The American doctor was first on the
scene and he then vanished, so perhaps the Americans were in on it too.
The fact that Dodi and Di were rubbed out looks fairly obvious to me but
who ordered the hit and who carried it out? That I don't know. I think
it is a mistake to jump to conclusions before we know exactly what's
what. The truth might be even more spectacular than we can ever imagine.
But, my prediction is that the Forces of Light are definitely bringing
pussy out of the bag with a witness and Vallon, and photos and/or
videotapes. And I'd bet that there is paperwork and documentation
somewhere that is waiting patiently in its party frock for Prom Night.
I've mentioned before that in addition to there being a record in the
morph of what has happen on earth in the past, in the mirror world we
also see events enacted there before they happen here in our 3-D world.
In that world Princess Diana is on the move, there is a lot of activity
in and around her. The Diana story is the 'ethers' so to speak; it's
coming out sooner or later.
Now to comprehend that a dead person is alive in another dimension
working to bring down those that acted against her takes a leap of
faith, which you may not be prepared to embrace. I completely
understand. I can't prove it to you. Though I would say, the existence
of the mirror world is without question in my mind, and its connection
to our world has been proven to me over and over, hundreds of times. In
there, Diana is mounting a counter attack and she has allies that are
French that are helping her.
"Vive la France."
© Stuart Wilde 2002
www.stuartwilde.com
* Reposted from The Best of StuartWilde.com - Volume1 CD-Rom
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